As I started writing about loss and grief, I was taking what felt unmanageable and using my songwriting, my sense of poetry and discipline, to try and make it manageable.
I'm a songwriter. My voice just serves what I'm writing about. So to let all that go, I mean, bring the sensibilities of it actually to the song choices, but to just be the interpreter was incredibly liberating and really fun.
There's always that moment when you realize what it's going to be. You might have an overarching theme and you need to fill in the blanks - and then there's this "Aha" moment when you see where it's going. That's the most satisfying part of writing.
But there's nothing that gives me more thrill than when I'm writing and a couplet works. I find the right rhyme, or it's just perfect. There's nothing that exciting.
I found it was really impossible for me to write songs when I couldn't sing.
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