Albert Camus Quotes About Fate

• In that daily effort in which intelligence and passion mingle and delight each other, the absurd man discovers a discipline that will make up the greatest of his strengths. The required diligence and doggedness and lucidity thus resemble the conqueror's attitude. To create is likewise to give a shape to one's fate. For all these characters, their work defines them at least as much as it is defined by them. The actor taught us this: There is no frontier between being and appearing.

  Albert Camus

  Attitude, Character, Passion

  "The Myth of Sisyphus". Book by Albert Camus, 1942.

• The human heart has a tiresome tendency to label as fate only what crushes it. But happiness likewise, in its way, is without reason, since it is inevitable.

  Albert Camus

  Crush, Heart, Fate

  Albert Camus (1955). “The Myth of Sisyphus and Other Essays”

• Politics and the fate of mankind are formed by men without ideals and without greatness. Those who have greatness within them do not go in for politics.

  Albert Camus

  Fate, Greatness, Destiny

  Carnets, 1935-42 (Notebooks, 1962) p. 99

• And often he who has chosen the fate of the artist because he felt himself to be different soon realizes that he can maintain neither his art nor his difference unless he admits that he is like the others. The artist forges himself to the others, midway between the beauty he cannot do without and the community he cannot tear himself away from.

  Albert Camus

  Art, Fate, Differences

• There is no fate that cannot be surmounted by scorn.

  Albert Camus

  Change, Fate, Destiny

  Albert Camus (2012). “The Myth of Sisyphus: And Other Essays”, p.121, Vintage

• There are people who prefer to look their fate in the eye

  Albert Camus

  Eye, Fate, People

  Albert Camus (1967). “Lyrical and critical”, Hamish Hamilton Ltd

• All that remains is a fate whose outcome alone is fatal. Outside of that single fatality of death, everything, joy or happiness, is liberty. A world remains of which man is the sole master. What bound him was the illusion of another world.

  Albert Camus

  Fate, Men, Joy

  Albert Camus (2012). “The Myth of Sisyphus: And Other Essays”, p.117, Vintage

• O light! This the cry of all the characters of ancient drama brought face to face with their fate. This last resort was ours, too, and I knew it now. In the middle of winter I at last discovered that there was in me an invincible summer.

  Albert Camus

  Summer, Drama, Character

  Albert Camus (2012). “The Myth of Sisyphus: And Other Essays”, p.202, Vintage

• Yes, I know what passion would fill me with all its power. Before, I was too young. I got in the way. Now I know that acting and loving and suffering is living, of course, but it’s only living insofar as you can be transparent and accept your fate, like the unique reflection of a rainbow of joys and passions which is the same for everyone.

  Albert Camus

  Passion, Fate, Reflection

  Albert Camus (2012). “Happy Death”, p.41, Vintage

• Fate is not in man but around him

  Albert Camus

  Fate, Men

  Albert Camus (2012). “Happy Death”, p.143, Vintage

• If I convince myself that this life has no other aspect than that of the absurd, if I feel that its whole equilibrium depends on that perpetual opposition between my conscious revolt and the darkness in which it struggles, if I admit that my freedom has no meaning except in relation to its limited fate, then I must say that what counts is not the best living but the most living.

  Albert Camus

  Struggle, Fate, Darkness

  Albert Camus (2012). “The Myth of Sisyphus: And Other Essays”, p.60, Vintage

• All that remains is a fate whose outcome alone is fatal. Outside of that single fatality of death, everything, joy or happiness, is liberty. A world remains of which man is the sole master. What bound him was the illusion of another world. The outcome of his thought, ceasing to be renunciatory, flowers in images. It frolics-\-\-in myths, to be sure, but myths with no other depth than that of human suffering and, like it, inexhaustible. Not the divine fable that amuses and blinds, but the terrestrial face, gesture, and drama in which are summed up a difficult wisdom and an ephemeral passion.

  Albert Camus

  Drama, Flower, Passion

• Happiness and the absurd are two sons of the same earth. They are inseparable. It would be a mistake to say that happiness necessarily springs from the absurd discovery. It happens as well that the felling of the absurd springs from happiness. "I conclude that all is well," says Oedipus, and that remark is sacred. It echoes in the wild and limited universe of man. It teaches that all is not, has not been, exhausted. It drives out of this world a god who had come into it with dissatisfaction and a preference for futile suffering. It makes of fate a human matter, which must be settled among men.

  Albert Camus

  Happiness, Mistake, Spring

  "The Myth of Sisyphus". Book by Albert Camus, 1955.

• A fate is not a punishment.

  Albert Camus

  Fate, Punishment

  Albert Camus (2012). “The Myth of Sisyphus: And Other Essays”, p.75, Vintage

• The workman of today works every day in his life at the same tasks, and this fate is no less absurd. But it is tragic only at the rare moments when it becomes conscious.

  Albert Camus

  Fate, Tasks, Rare Moments

  Albert Camus (2012). “The Myth of Sisyphus: And Other Essays”, p.121, Vintage

• To create is likewise to give a shape to one's fate

  Albert Camus

  Fate, Giving, Shapes

  Albert Camus (2012). “The Myth of Sisyphus: And Other Essays”, p.117, Vintage

You May Also Like:

Jean-Paul Sartre

Franz Kafka

Marguerite Duras

Friedrich Nietzsche

Simone de Beauvoir

Fyodor Dostoevsky

Marcel Proust