The hardest game to win is a won game
I have added these principles to the law: get the Knights into action before both Bishops are developed
Without error there can be no brilliancy
When you see a good move, look for a better one.
To find the right plan is just as hard as looking for its sound justification.
The laws of chess do not permit a free choice: you have to move whether you like it or not.
Chess is, above all, a fight.
On the chessboard, lies and hypocrisy do not survive long
In mathematics, if I find a new approach to a problem, another mathematician might claim that he has a better, more elegant solution. In chess, if anybody claims he is better than I, I can checkmate him.
Education in Chess has to be an education in independent thinking and judging. Chess must not be memorized.
By some ardent enthusiasts Chess has been elevated into a science or an art. It is neither; but its principal characteristic seems to be - what human nature mostly delights in - a fight.
The most intelligent inspection of any number of fine paintings will not make the observer a painter, nor will listening to a number of operas make the hearer a musician, but good judges of music and painting may so be formed. Chess differs from these. The intelligent perusal of fine games cannot fail to make the reader a better player and a better judge of the play of others.
I have known many chess players, but among them there has been only one genius - Capablanca!
The combination player thinks forward; he starts from the given position, and tries the forceful moves in his mind
The delight in gambits is a sign of chess youth... In very much the same way as the young man, on reaching his manhood years, lays aside the Indian stories and stories of adventure, and turns to the psychological novel, we with maturing experience leave off gambit playing and become interested in the less vivacious but withal more forceful manoeuvres of the position player.
Loss generally occurs when a player overrates his advantage or for other reasons seeks to derive from a minute advantage a great return such as a forced win.
I believe in magic ... There is magic in the creative faculty such as great poets and philosophers conspicuously possess, and equally in the creative chessmaster.
To refer to the oft mooted question, "Which piece is stronger, the Bishop or the Knight?" it is clear that the value of the Bishop undergoes greater changes than that of the Knight.
He who wants to educate himself in Chess must evade what is dead in Chess... the habit of playing with inferior opponents; the custom of avoiding difficult tasks; the weakness of uncritically taking over variations or rules discovered by others; the vanity which is self-sufficient; the incapacity for admitting mistakes; in brief, everything that leas to standstill or to anarchy.
Without error, there is no brilliancy.
In Chess, as it is played by masters, chance is practically eliminated.
A chess game, after all, is a fight in which all possible factors must be made use of, and in which a knowledge of the opponent's good and bad qualities is of the greatest importance.
Having spent 200 hours on the above, the young player, even if he possesses no special talent for chess, is likely to be among those two or three thousand chessplayers [who play on a par with a master]. There are, however, a quarter of a million chessplayers who annually spend no fewer than 200 hours on chess without making any progress. Without going into any further calculations, I can assert with a high degree of certainty that nowadays we achieve only a fraction of what we are capable of achieving.
The process of making pieces in Chess do something useful (whatever it may be) has received a special name: it is called the attack. The attack is that process by means of which you remove obstructions.
The attack is that process by means of which you remove obstructions.
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