The emotion of beauty is always obscured by the appearance of the object. Therefore, the object must be eliminated from the picture.
This new plastic idea will ignore the particulars of appearance, that is to say, natural form and colour. On the contrary it should find its expression in the abstraction of form and colour, that is to say, in the straight line and the clearly defined primary colour.
I, too, find the flower beautiful in its outward appearance. But a deeper beauty lies concealed within.
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