To find the universal elements enough; to find the air and the water exhilarating; to be refreshed by a morning walk or an evening saunter... to be thrilled by the stars at night; to be elated over a bird's nest or a wildflower in spring - these are some of the rewards of the simple life.
When nature made the blue-bird she wished to propitiate both the sky and the earth, so she gave him the color of the one on his back and the hue of the other on his breast.
The bluebird enjoys the preeminence of being the first bit of color that cheers our northern landscape. The other birds that arrive about the same time--the sparrow, the robin, the phoebe-bird--are clad in neutral tints, gray, brown, or russet; but the bluebird brings one of the primary hues and the divinest of them all.
If you want to see birds, you must have birds in your heart.
Natural history is a matter of observation; it is a harvest which you gather when and where you find it growing. Birds and squirrels and flowers are not always in season, but philosophy we have always with us. It is a crop which we can grow and reap at all times and in all places and it has its own value and brings its own satisfaction.
The very idea of a bird is a symbol and a suggestion to the poet. A bird seems to be at the top of the scale, so vehement and intense his life. . . . The beautiful vagabonds, endowed with every grace, masters of all climes, and knowing no bounds - how many human aspirations are realised in their free, holiday-lives - and how many suggestions to the poet in their flight and song!
In New York and New England the sap starts up in the sugar maple the very day the bluebird arrives, and sugar-making begins forthwith. The bird is generally a mere disembodied voice; a rumor in the air for two or three days before it takes visible shape before you.
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