Once as I sat painting, I became aware of a man's face hovering near me, moving closer and closer to the panel I was working on. When he spoke he said, 'That is a fantastic brush!
I find that as I get into a painting I have high hopes, then little by little I begin to see that it is not going to be the masterpiece I thought it would be, and I start putting my hopes into the next work.
This evening, while signing my name on a painting, I was thinking I might stop signing my cheques.
Great paintings have gradations, large and small... They serve to lift the subject off the two-dimensionality of the canvas. Gradations are an essential abstract convention.
The painting world is awash with people who cannot paint. This is a condition that would not be tolerated in other professions such as Dentistry, Medicine, or among members of the Airline Pilot's Association.
Paintings, like tombstones, will last a good five hundred years, well into twenty or thirty generations.
My app is the same juicy paint used by Vincent Van Gogh; my screen is the woven canvas of Titian. Painting by hand, I've come to figure, is a certain kind of love.
Most of my contemporary grant-getters are now doing something other than painting.
Landscape painting tends to fall under more academic controls. I must say I often like working within these controls. It gives me the feeling that I'm taking part in a noble tradition.
Certain music is terrifically inspirational and it is possible, months or even years afterwards, to look at a painting and remember the music that was playing during its execution.
A painting has an intrinsic value which has nothing to do with critical assessments.
In painting you cover up your sins and everyone thinks you're naturally talented.
I suppose what you're doing as a painter is making a record of your trip through life. I can't think of any job that is quite as satisfactory as doing a painting.
I have always found it a testament to the importance of painting that the first thing many people do when their home is on fire is to grab their paintings and then run out.
Flat, uninteresting parts of paintings are, in fact, a ruse to get the viewer to see what needs to be seen.
A simple equation for the production of successful art work is lots of reference material plus lots of art supplies equals lots of painting happiness.
An opening and a receptiveness to design and pattern for its own sake seems to free the painting hand.
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