The greatest piece of acting or music or sculpture or what-have-you always has its roots in the truth of human emotion.
I'll tell you this: you cannot escape the impact of emotion, whether it's in a big theater or a tiny one. If you have it, it inflates you — correction, 'inflates' is not a good word. If you have it, it infects you and the audience. If you don't have it — don't bother; just say the lines as truthfully as you are capable of doing. You can't fake emotion. It immediately exposes the fact that you ain't got it.
Acting in a scene is like paddling a canoe from a pebbly beach on to the river, the writer builds the canoe, and the actor provides the river. The river is the actor's thoughts and emotions.
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