Songwriters write songs, but they really belong to the listener.
And you find as a writer there are certain spots on the planet where you write better than others, and I believe in that. And New Orleans is one of them.
Whether it's a letter, song lyrics, part of a novel, or instructions on how to fix a kitchen sink, it's writing. You keep your craft honed, you acquire the discipline to finish things. You turn into a self-taskmaster.
That to me is the way any good romantic would look at his life: Live it first, then write it down before you go.
You know, as a writer, I'm more of a listener than a writer, cuz if I hear something I will write it down.
I remember the excruciating school task of writing a three-page term paper. But, oh, that feeling when I was done! I think I drive myself for that feeling of accomplishment.
I want to keep going as I have, to travel, read, perform, write, and enjoy my family. I've promised myself only this: no more Laundromats, no more two-shows-a-night, and no more deadlines. I'll work at my own pace.
[Writing] is edit, edit, edit. It's almost like getting a boat ready to go to sea. You've still got a countless number of things left to fix, but you've just got to go, "O.K., everybody get on the boat. We're going, ready or not."
I've always been trying to write songs like Lightfoot. A song of mine like 'Come Monday' is a direct result of me trying to write a Gordon Lightfoot song.
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