I think you have to be very careful getting the balance right if you're going to talk about grand themes like war, death and nationhood. You need to use the right language or don't do it at all.
Any of these contemporary war situations, whether civilian or soldier on either side - that's what I was interested in. The people who are being affected. Not so much the political speak at the top of the food chain, but the people who are affected by it on the ground.
In the past members of my family on both my mother's and father's side have fought in the war, in the first and second World Wars. Unfortunately, they're dead and I wasn't able to speak to them, but that was in our family history too.
You go back and look at some of the ancient writings that exist throughout the world about wars and it's the same; the human beings' articulation of events is the same. That really fascinated me.
I tried to use words that were dealing with the emotional quality that any human being could recognize in the way that they felt about their country. It's to do with the world we live in. That world is a brutal one and full of war. It's also full of many wonderful things and love and hope
I find it hard myself to feel justified to sing in a very politically direct way about war or social conditions because I feel so ignorant of a lot of it.
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