I say, play your own way. Don't play what the public want - you play what you want and let the public pick up on what you doing - even if it does take them fifteen, twenty years.
Trying to explain music is like trying to dance architecture.
Jazz is freedom. You think about that.
A note can be as small as a pin or as big as the world, it depends on your imagination.
I don't have a definition of Jazz. You're just supposed to know it when you hear it.
At this time the fashion is to bring something to jazz that I reject. They speak of freedom. But one has no right, under pretext of freeing yourself, to be illogical and incoherent by getting rid of structure and simply piling a lot of notes one on top of the other. There's no beat anymore. You can't keep time with your foot. I believe that what is happening to jazz with people like Ornette Coleman, for instance, is bad. There's a new idea that consists in destroying everything and find what's shocking and unexpected; whereas jazz must first of all tell a story that anyone can understand.
After two takes you're imitating yourself.
I don't know where jazz is going. Maybe it's going to hell. You can't make anything go anywhere. It just happens.
I compose my pieces with a formula that I created myself.
If you really understand the meaning of be-bop, you understand the meaning of freedom.
I find my inspiration in myself.
Man, that cat [Ornette Coleman] is nuts.
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