It is always man's ideas which drive his actions. This has, at times, resulted in great evil; but as we look around us, we cannot doubt that it has resulted in greater good.
To seek understanding before taking action, yet to trust my instincts when action is called for. Never to avoid danger from fear, never to seek out danger for its own sake. Never to conform to fashion from fear of eccentricity, never to be eccentric from fear of conformity.
Don't explain why it works; explain how you use it.
Always speak politely to an enraged Dragon.
A stupid person can make only certain, limited types of errors; the mistakes open to a clever fellow are far broader. But to the one who knows how smart he is compared to everyone else, the possibilities for true idiocy are boundless.
The struggle is always worthwhile, if the end be worthwhile and the means honorable; foreknowledge of defeat is not sufficient reason to withdraw from the contest.
Most people seem to take pleasure in feeling superior to someone. I'm not like that, which pleases me because it makes me feel superior.
In our memories, there is a graveyard where we bury our dead. They all lie there together, the loved ones and the ones we hated, friends and foes and kin, with no distinction among them. We have to mourn every one of them, because our memories have made them as much a part of us as our bones or our skin. If we don't, we've no right to remember anything at all.
There is no excuse for bad manners, except fast reflexes.
I'm told I'm very charming when people do what I want.
A young man without ambition is an old man waiting to be.
True heroics must be carefully planned - and strenuously avoided.
Appropriate action means to advance your own goals, without unintentional harm to anyone else.
Why do you work so hard to make yourself disliked? I should think you'd find it happens enough on its own without putting yourself to any extra trouble.
No matter how subtle the wizard, a knife between the shoulder blades will seriously cramp his style.
Everybody generalizes from one example. At least, I do.
All literature consists of whatever the writer thinks is cool. The reader will like the book to the degree that he agrees with the writer about what's cool.
The novel should be understood as a structure built to accommodate the greatest possible amount of cool stuff.
The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.
You can't put something together again unless you've torn it apart first.
There was a sergeant at a desk. I knew he was a sergeant because I recognized the marks on his uniform, and I knew it was a desk because it's always a desk. There's always someone at a desk, except when it's a table that functions as a desk. You sit behind a desk, and everyone knows you're supposed to be there, and that you're doing something that involves your brain. It's an odd, special kind of importance. I think everyone should get a desk; you can sit behind it when you feel like you don't matter.
One man's mistake is another man's opportunity.
I’ve heard it said: ‘By his home you shall know him’; and we all know that we must pay attention to anyone who reverses the subject and auxiliary verb in his sentence.
You have been asking what you could do in the great events that are now stirring, and have found that you could do nothing. But that is because your suffering has caused you to phrase the question in the wrong way.
Because here’s the thing: No matter how much one tells stories of magical beasts or impossible worlds, in the end, it is always the world of here and now one is writing about. The better one understands that world, the more powerful the stories will be.
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