When I'm not writing or reading, I'm thinking about both.
If a poet has any obligation toward society, it is to write well. Being in the minority, he has no other choice. Failing this duty, he sinks into oblivion. Society, on the other hand, has no obligation toward the poet. A majority by definition, society thinks of itself as having other options than reading verses, no matter how well written. Its failure to do so results in its sinking to that level of locution at which society falls easy prey to a demagogue or a tyrant. This is society's own equivalent of oblivion.
Every writing career starts as a personal quest for sainthood, for self-betterment. Sooner or later, and as a rule quite soon, a man discovers that his pen accomplishes a lot more than his soul.
...in the business of writing what one accumulates is not expertise but uncertainties. Which is but another name for craft.
I don't believe in that country any longer. I'm not interested. I'm writing in the language, and I like the language.
I didn't want to be either the cre`me de la cre`me or a martyr. I'd rather be a novelty, especially in a democracy that doesn't understand the language I write in.
If a poet has any obligation toward society, it is to write well. Being in the minority, he has no other choice. Failing this duty, he sinks into oblivion. Society, on the other hand, has no obligation toward the poet.
Persecution mania is still around. In your writing, in your exchanges with people, meeting people who are in Russian affairs, Russian literature, etcetera.
As to the state, from my point of view, the measure of a writer's patriotism is not oaths from a high platform, but how he writes in the language of the people among whom he lives .
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