Good writers define reality; bad ones merely restate it.
What people really want in the theater is fantasy involvement and not reality involvement.
Good writers define reality; bad ones merely restate it. A good writer turns fact into truth; a bad writer will, more often than not, accomplish the opposite.
In rehearsals I get so completely wrapped up with the reality that's occurring on stage that by the time the play has opened I'm not usually quite as aware of the distinctions between what I'd intended and the result. There are many ways of getting the same result.
Each time I sit down and write a play I try to dismiss from my mind as much as I possibly can the implications of what I've done before, what I'm going to do, what other people think about my work, the failure or success of the previous play. I'm stuck with a new reality that I've got to create.
In the two or three or four months that it takes me to write a play, I find that the reality of the play is a great deal more alive for me than what passes for reality. I'm infinitely more involved in the reality of the characters and their situation than I am in everyday life. The involvement is terribly intense.
My sense of reality and logic is different from most people's.
I’m infinitely more involved in the reality of the characters and their situation than I am in everyday life.
The function of art is to bring people into greater touch with reality, and yet our movie houses and family rooms are jammed with people after as much reality-removal as they can get.
Being different is ... interesting; there's nothing implicitly inferior or superior about it. Great difference, of course, produces natural caution; and if the differences are too extreme ... well, then, reality tends to fade away.
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