Michael Moorcock Quotes - Page 2

Quotes about:

• I know not which I prefer the look of—those who attack us or that which defends us!

  Michael Moorcock

  Looks, Knows

  Michael Moorcock (2008). “Elric: To Rescue Tanelorn”, p.291, Del Rey

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• Arthuriana has become a genre in itself, more like TV soap opera where people think they know the characters. All that's fair enough, but it does remove the mythic power of the feminine and masculine principles. So I prefer it in its original form, even if you have to wade through Mallory's 'Le Morte d'Arthur' - people smashing people for pages and pages! It still has the resonances of myth about it, which makes it work for me. I don't want to know if Mordred led an unhappy childhood or not.

  Michael Moorcock

  Character, Thinking, Unhappy Childhood

  "Biography/ Personal Quotes". www.imdb.com.

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• Man may trust man, Prince Elric, but perhaps we'll never have a truly sane world until men learn to trust mankind. That would mean the death of magic, I think.

  Michael Moorcock

  Mean, Men, Thinking

  Michael Moorcock (2009). “Duke Elric”, p.161, Del Rey

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• The problems for which I could find no solution in fact had no solution.

  Michael Moorcock

  Facts, Problem, Solutions

  "The Eternal Champion". Book by Michael Moorcock, 1970.

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• Our scientific advances will be merely obscene unless they help the large part of our world's population emerge from miserable uncertainty and debilitating terror.

  Michael Moorcock

  Our World, Population, Helping

  Michael Moorcock, Allan Kausch, Iain Sinclair (2012). “London Peculiar and Other Nonfiction”, p.1, PM Press

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• Everything means nothing that is the only truth.

  Michael Moorcock

  Mean

  Michael Moorcock (2008). “Elric: To Rescue Tanelorn”, p.79, Del Rey

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• If the people at the top think that reaching for a gun will solve the problem, why shouldn't the people at the bottom think the same?

  Michael Moorcock

  Gun, Thinking, People

  "The Eternal Champion". Book by Michael Moorcock, 1970.

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• Heroes betray us. By having them, in real life, we betray ourselves.

  Michael Moorcock

  Real, Hero, Real Life

  Michael Moorcock (1984). “The opium general and other stories”

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• It remains a mystery to me why some of that [pulp] fiction should be judged inferior to the rafts and rafts of bad social [literary] fiction which continues to be treated by literary editors as if it were somehow superior, or at least worthier of our attention. The careerist literary imperialism of the Bloomsbury years did a lot to produce fiction's present unseemly polarities.

  Michael Moorcock

  Years, Editors, Attention

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• It's getting late. I must return to my ship or my men will think I've drowned and be celebrating.

  Michael Moorcock

  Men, Thinking, Ships

  "The Eternal Champion". Book by Michael Moorcock, 1970.

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• And you, Prince Elric? She attracted the albino's wandering attention. Do you know his story? Elric shook his head. I only know, he said, that he is a shape-changer and, that most cursed of souls, a person of rare goodness and sanity. Imagine such torment as is his!

  Michael Moorcock

  Soul, Attention, Stories

  Michael Moorcock (2010). “Elric Swords and Roses”, p.139, Del Rey

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• What the local politicians actually meant was that they hoped to claim the land in the name of the public and then make the usual profits privatizing it. There was a principle at stake. They had to ensure their friends and not outsiders got the benefit.

  Michael Moorcock

  Land, Names, Usual

  "New Worlds (No. 4)". Science fiction anthology edited by David S. Garnett with afterword by‎ Michael Moorcock, 1994.

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• Time is the enemy of identity

  Michael Moorcock

  Enemy, Identity

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