Variety is very, very good. Going from medium to medium, if you get the chance to do it, from theater to television to film, which are all distinctly different, keeps me sharp.
I think that a lot of exciting elements are finding a place where a film is happily, truly about something.
I looked at the 1950 animated film [Cinderella], I read a couple of editions of the fairy tale that I have in my house and all of it seemed to say that there was room for a version that delivered, in this story, which seems to invite a feeling in people and I think that is some version of a classical world.
I think the truth is the Marvel fiefdom exists very independently inside the Disney world, inside the Disney universe. They're not resistant to that kind of thing but they have their, you know there is a whole sort of machine energy and momentum that is the sort of creative drive behind the whole universe that has a big impact on the individual films. I'm glad those scenes got out there. And we've got a few interesting deleted scenes on this.
Even when a film is finished, when I direct a film, sometimes it's a dark profession, but it requires a peculiar form of courage that I admire.
After Frankenstein, I feel as if I want to make a film about somebody having a nice cup of tea.
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