All my life I've lived with a future which constantly diminishes but never vanishes.
...in the face of all dangers, in what may seem a godless region, we move forward through the agencies of love and art.
What is healing, but a shift in perspectives?
No such thing, the queen said, as too many sequins.
Questions, inside the larger mystery of sorrow, which contains us and our daily transit, and is large enough indeed to contain the whole shifting tidal theater where I make small constructions, my metaphors, my defenses. Against which I play out theories, doubts, certainties bright as high tide in sunlight, which shift just as that brightness does, in fog or rain.
Poetry is ... the physical enactment of a process of knowing by means of language.
In Judith Barrington's striking collection, Horses and the Human Soul, human emotions come ushered and accompanied by animal companions, especially the horses this speaker loves. Here they are witnesses, companions to the spirit, and as vulnerably mortal as human beings. Socially and politically alert, lamenting and celebrating, Barrington's passionate poems inscribe the broad range of her affections.
It's freeing, to think that there's always an aspect of us outside the grasp of speech, the common stuff of language.
I want what everybody wants, that's how I know I'm still breathing.
'Everything beautiful occurs when the body / is suspended,' Helena Mesa quotes a performance artist who hangs his own pierced body in the air. Mesa's poems are artfully suspended between lyric and narrative, between humans and animals, between Latin America and the U.S., between desire and the difficulty of its fulfillment. Horse Dance Underwater is an inventive, musical, and powerful debut.
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