A song has to take on character, shape, body and influence people to an extent that they use it for their own devices. It must affect them not just as a song, but as a lifestyle. The rock stars have assimilated all kinds of philosophies, styles, histories, writings, and they throw out what they have gleaned from that.
I think that my fascination with clothes generally was motivated by trying to create the characters for the stage.
I surrounded myself with people who indulged my ego. They treated me as though I was Ziggy Stardust or one of my characters, never realising that David Jones might be behind it.
If I wasn't going through a thing where I was also being my characters offstage, uh, I'm much happier just wearing the most low-profile things that I can come up with just so I can get down the street.
I think much has been made of this alter ego business. I mean, I actually stopped creating characters in 1975 - for albums, anyway.
The character thing really is sort of, for me, personally, rather ancient history.
Mine is really - Ziggy Stardust, characters, "Let's Dance." That's me in the American.
I liked rock music, I kind of moved into that sphere, somehow thinking that somewhere along the line I'd be able to put the two together. And I suppose I very nearly did with the Ziggy character.
I never really got the book together for the thing, so I had all the songs and the characters. But by the time we'd gotten it on the road and I'd been doing it for 18 months, oh God, I couldn't wait to move on to something else.
I thought that I could do some kind of vehicle involving rock musicals and presenting rock and characters and storyline in a completely different fashion.
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