First love, with its frantic haughty imagination, swings its object clear of the everyday, over the rut of living, making him all looks, silences, gestures, attitudes, a burning phrase with no context.
The story must spring from an impression or perception pressing enough to have made the writer write. It should magnetize the imagination and give pleasure.
Imagination of my kind is most caught, most fired, most worked upon by the unfamiliar: I have thrivenon the changes and chances, the dislocations andcontrasts which have made up so much of my life.
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