I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.
A DEFINITION NOT FOUND IN THE DICTIONARY Not leaving: an act of trust and love, often deciphered by children
Five hundred souls. I carried them in my fingers, like suitcases. Or I'd throw them over my shoulder. It was only the the children I carried in my arms.
… it was raining on Himmel Street when the world ended for Liesel Meminger. The sky was dripping. Like a tap that a child has tried its hardest to turn off but hasn’t quite managed.
The human child – so much cannier at times than the stupefyingly ponderous adult.
I only know that all of those people would have sensed me that night, excluding the youngest of the children. I was the suggestion. I was the advice, my imagined feet walking into the kitchen and down the corridor.
People have defining moments, i suppose, especially when they're children.
As a child in Sydney, my German Mum and my Austrian Dad would spontaneously tell me stories about what they saw and what they did as children. It was like a piece of Europe coming into our house... Those stories led me to my writing.
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