Donnie Yen Quotes About Character

Quotes about: Character

• For me, the challenge of a period film is that, unlike a contemporary film where the character can be very free-form when it comes to the acting, there's a burden to acting in a period film because you have to stay within the character's historical background and the gestures of certain periods.

  Donnie Yen

  Character, Challenges, Historical

• I don't make comparisons between any movies. I compare characters. All my actions, performances, all my films, they are driven by the characteristic. If I'm playing a cop, then I give him a particular style - I may not know that style, but as an actor I have to be responsible to do your homework and do your research and training and stuff like that.

  Donnie Yen

  Character, Giving, Style

  Source: screenrant.com

• Action choreographer is like talking. When you talk, you have a rhythm. When you act, you have a rhythm. When you're moving your body, you have a rhythm. So as an actor, as a choreographer, the objective is trying to blend everything in - into - ultimately back into that character.

  Donnie Yen

  Moving, Character, Talking

  "TalkAsia" with Kristie Lu Stout, www.cnn.com. October 19, 2011.

• I act according to the requirements of the character, and if I try to play the role, then I play it truthfully. In my daily life, I'm a laid-back, peaceful guy. I'm just doing my job to act.

  Donnie Yen

  Jobs, Character, Play

• I gained a lot of confidence after 'IP Man' as being a true actor. I went on to tackle what it is an actor is supposed to do before a film. Do a lot of research, get into the character. That's what I did with 'Dragon.'

  Donnie Yen

  Character, Men, Dragons

  "Donnie Yen Exclusive Interview: Discussing ‘Dragon’ And The Censored Ending Audiences May Never See". Interview with Chris C. Anderson, www.huffingtonpost.com. October 26, 2012.

• There's a lot of thinking when you choreograph something. You're not just choreographing some bodies, arms, legs flying around to look cool. It's a lot more complicated and sophisticated. You also have to deal with the connection of the whole film, so when I choreograph, I think of the movement itself, the camera angles, the characters.

  Donnie Yen

  Character, Thinking, Flying

• My action follows my characters. If a character is a cop, you cannot be posing all the time, you cannot fly off the roof because it doesn't make any sense - it's not practical.

  Donnie Yen

  Character, Action, Cop

• I like to stay within the context of the character's background. If he's a cop, I have to make sure the audience is convinced that this person, a cop, can do only so much without a gun.

  Donnie Yen

  Character, Gun, Cop

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