There's a version of Tony [from "I Don't Feel at Home in This World Anymore"] that I think could be heightened. Trying to find the balance. A lot of that comes from "Who is he?" I think we've all kind of met that dude. The comic book enthusiast, or someone who gets too excited about things, but his own enthusiasm tends to alienate him. I relate to it because I've seen that guy.
[Macon Blair] wrote a beautiful - once it was kicking off and we were gonna make the movie - he sent me this really beautiful document on Tony [from "I Don't Feel at Home in This World Anymore" ]. It was like ruminations. "Maybe this ... I don't know ..." And I loved it.
When you have an animal in your home, a relationship forms very quickly, where that animal ceases to be an animal to you. It feels like a member of your family.
["I Don't Feel at Home in This World Anymore" ] really jumped off the page. And there were so many specific notes within the context of the script. Music cues, for instance.
It was so clear from the beginning - what [Macon Blair] wanted to make [in "I Don't Feel at Home in This World Anymore"].
I certainly thought of who [Tony from "I Don't Feel at Home in This World Anymore"] was. He was so different from anyone I've played. And it was so important for me and Macon [Blair] - this was on the page too - to not make a caricature. There's a version of Tony that I think could be heightened.
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