To work in architecture you are so much involved with society, with politics, with bureaucrats. It's a very complicated process to do large projects. You start to see the society, how it functions, how it works. Then you have a lot of criticism about how it works.
I see the Beijing National Stadium as an architectural project. I accepted Herzog and De Meuron's invitation to collaborate on the design, and our proposal won the competition. From beginning to end, I stayed with the project. I am committed to fostering relationships between a city and its architecture.
I have people working together, doing different things: architecture, art installation, photography, publishing, and curatorial works and design.
I believe [the architecture firm] Herzog and de Meuron and our collaboration made the product the best it could be.
As a total activity - I practice curating, art, architecture, writing, and publishing all together. I still act as a living creature.
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