Tell the story that's been growing in your heart, the characters you can't keep out of your head, the tale story that speaks to you, that pops into your head during your daily commute, that wakes you up in the morning.
... somehow I couldn't stop. I had turned into someone that I would have pitied in another life; someone who searched for signs, who analyzed patterns, who went over every word in a conversation looking for hidden meanings, secret signals, the subtext that said, Yes, I still love you, of course I still love you.
This is motherhood for you,' said my own mother. 'Going through life with your heart outside your body.
Addie, please." More tears dripped down her cheeks. "Don't be so hard." "Oh, please," I muttered...and that was as far as I got. 'You broke my heart' were the words that had risen to my mouth, but I couldn't say them. That was what you said to a boyfriend, a lover, not your best friend. She'd laugh. And I'd had enough of being laughed at. I'd worked hard to get to a place where it didn't happen anymore, where I didn't move through life like a walking target, where it was just me and my paints and brushes and my big empty bed every night. "You weren't a good friend," I said instead.
I was 45 when I wrote most of this book [Hungry Heart ], at what felt like a halfway point in my life, and I thought, If I can't be honest now, when will it happen? It was so hard to step away from the [protection of] fiction, but I'm ready to talk start telling their truth.
Maybe it stems from my newspaper-reporting days, but I took notes the whole time - getting the call, how I felt. As soon as I put pen to paper, it became a story [Hunger Heart], not something happening to me but something I was recording.
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