People cannot stand the saddest truth I know about the very nature of reading and writing imaginative literature, which is that poetry does not teach us how to talk to other people: it teaches us how to talk to ourselves. What I'm desperately trying to do is to get students to talk to themselves as though they are indeed themselves, and not someone else.
Reading well is one of the greatest pleasures that solitude can afford you.
Reading well makes children more interesting both to themselves and others, a process in which they will develop a sense of being separate and distinct selves.
We read deeply for varied reasons, most of them familiar: that we cannot know enough people profoundly enough; that we need to know ourselves better; that we require knowledge, not just of self and others, but of the way things are. Yet the strongest, most authentic motive for deep reading…is the search for a difficult pleasure.
Real reading is a lonely activity.
I am not unique in my elegiac sadness at watching reading die, in the era that celebrates Stephen King and J.K. Rowling rather than Charles Dickens and Lewis Carroll.
The art and passion of reading well and deeply is waning, but [Jane] Austen still inspires people to become fanatical readers.
In the finest critics one hears the full cry of the human. They tell one why it matters to read.
Rebecca Mead's My Life in Middlemarch is a wise, humane, and delightful study of what some regard as the best novel in English. Mead has discovered an original and highly personal way to make herself an inhabitant both of the book and of George Eliot's imaginary city. Though I have read and taught the book these many years I find myself desiring to go back to it after reading Rebecca Mead's work.
The very best of all Merwin: I have been reading William since 1952, and always with joy.
Reading the very best writers—let us say Homer, Dante, Shakespeare, Tolstoy—is not going to make us better citizens. Art is perfectly useless, according to the sublime Oscar Wilde, who was right about everything. He also told us that all bad poetry is sincere. Had I the power to do so, I would command that these words be engraved above every gate at every university, so that each student might ponder the splendor of the insight.
Criticism starts - it has to start - with a real passion for reading. It can come in adolescence, even in your twenties, but you must fall in love with poems.
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