The problem for me, still today, is that I write purely with one dramatic structure and that is the rite of passage. I'm not really skilled in any other. Rock and roll itself can be described as music to accompany the rite of passage.
The music we play has to be tomorrow's, the things we say have to be today, and the reason for bothering is yesterday.
I only really started to go to plays and to be interested in drama 20 years ago when as an artist I was already well-rounded. I think I'm more disciplined today.
What the Who is all about is exactly that and it always has been. If it exists today for this concert, it's in response again to a function which is happening out there on the street.
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