Sam Wood, the director, made most of his money as a real estate agent; there was nothing of the temperamental artist about him.
My sculpture is very personal; for years my subjects were family and close, close friends.
The Sennett system of making pictures was actually fun. You never knew what the person next to you was going to do.
The English press treated the world premiere of my first talking picture as a major event.
I doubted that there were Communists hiding behind every corporation desk and director's chair.
By the time I was 15, my mother had turned me into a real clotheshorse.
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