Seems as unfounded ... to say there isn't a God as to say there is.
I suspect the fault...is in me: that I hate any job on earth, as a job and a hindrance and a semi-suicide.
It is probably well on the conservative side to estimate that during the past ten to fifteen years the camera has destroyed a thousand pairs of eyes, corrupted ten thousand, and seriously deceived a hundred thousand, for every one pair that it has opened, and taught.
Children, taught either years beneath their intelligence or miles wide of relevance to it, or both: their intelligence becomes hopelessly bewildered, drawn off its centers, bored, or atrophied.
I believe that every human being is potentially capable within his 'limits' of fully 'realizing' his potentialities; that this, his being cheated and choked of it, is infinitely the ghastliest, commonest, and most inclusive of all the crimes of which the human world can assure itself.
God doesn't believe in the easy way.
Of those that are drawn away, each is drawn elsewhere toward another: once more a man and a woman, in a loneliness they are not liable at that time to notice, are tightened together upon a bed: and another family has begun.
It is a peculiar part of the good photographer's adventure to know where luck is most likely to lie in the stream, to hook it, and to bring it in without unfair play and without too much subduing it.
It is the middle and pure height and whole of summer and a summer night, the held breath, of a planet's year; high shored sleeps the crested tide: what day of the month I do not know, which day of the week I am not sure, far less what hour of the night.
All of consciousness is shifted from the imagined, the revisive, to the effort to perceive simply the cruel radiance of what is
We are talking now of summer evenings in Knoxville, Tennessee, in the time that I lived there so successfully disguised to myself as a child.
He used this great, sad, motionless face to suggest various related things: a one-track mind near the track's end of pure insanity; mulish imperturbability under the wildest of circumstances; how dead a human being can get and still be alive . . .
I prefer a little free speech to no free speech at all; but how many have free speech or the chance or the mind for it; and is not free speech here as elsewhere clamped down on in ratio of its freedom and danger?
By some chance, here they are, all on this earth; and who shall ever tell the sorrow of being on this earth, lying, on quilts, on the grass in a summer evening, among the sounds of the night. May God bless my people, my uncle, my aunt, my mother, my good father, oh, remember them kindly in their time of trouble; and in the hour of their taking away.
Just spunk won't be enough; you've got to have gumption.
This continent, an open palm spread frank before the sky.
A girl's brain is mysterious, but only in a superficial way-a way very exasperating to me.
I'm very anxious not to fall into archaism or 'literary' diction. I want my vocabulary to have a very large range, but the words must be alive.
One thing I feel is this: that a great deal of poetry is the product of adolescence-or of an emotionally adolescent frame of mind: and that as this state of mind changes, poetry is likely to dry up.
I'll do what little I can in writing. Only it will be very little. I'm not capable of it; and if I were, you would not go near it at all. For if you did, you would hardly bear to live
Understanding, and action proceeding from understanding and guided by it, is one weapon against the world's bombardment, the one medicine, the one instrument by which liberty, health, and joy may be shaped . . . in the individual, and in the race.
...but you are too much for them: the weak in courage are strong in cunning; and one by one, you have absorbed and have captured and dishonored, and have distilled of your deliverers the most ruinous of all poisons; people hear Beethoven in concert halls, or over a bridge game, or to relax; Cézannes are hung on walls, reproduced, in natural wood frames; van Gogh is the man who cut off his ear and whose yellows became recently popular in window decoration.
I know I am making the choice most dangerous to an artist in valuing life above art.
When he ran from a cop, his transitions from accelerating walk to easy jog trot to brisk canter to headlong gallop to flogged-piston sprint . . . were as distinct and as soberly in order as an automatic gearshift.
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