When I was growing up, there were two things that were unpopular in my house. One was me, and the other was my guitar.
We live in a post-authentic world, and today authenticity is a house of mirrors. It's all just what you're bringing when the lights go down. It's your teachers, your influences, and your personal history. At the end of the day, it's the power and purpose of your music that still matters.
I understand that it's the music that keeps me alive... That's my lifeblood. And to give that up for, like, the TV, the cars, the houses - that's not the American dream. That's the booby prize, in the end. Those are the booby prizes. And if you fall for them - if, when you achieve them, you believe that this is the end in and of itself - then you've been suckered in. Because those are the consolation prizes, if you're not careful, for selling yourself out, or letting the best of yourself slip away.
I got a house full of Rembrandts and priceless art, and all the little girls they wanna tear me apart.
I grew up with a very big extended family, with a lot of aunts. We had about five or six houses on one street.
Work creates an enormous sense of self and I saw that in my mother. She was an enormous, towering figure to me in the best possible way. I picked up a lot of things from her in the way that I work... I also picked up a lot of the failings of when your father doesn't have those things and that results in a house that turns into a minefield.
Ought to be easy, ought to be simple enough: Man meets woman, and they fall in love, But the house is haunted and the ride gets rough. You got to learn to live with what you can't rise above.
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