I still feel the impulse to give young writers a hearing, and I believe I have played more unpublished compositions than any other band leader in the country.
To the average mind popular music would mean compositions vulgarly conceived and commonplace in their treatment. That is absolutely false.
My religion lies in my composition.
Is it not the business of the conductor to convey to the public in its dramatic form the central idea of a composition; and how can he convey that idea successfully if he does not enter heart and soul into the life of the music and the tale it unfolds?
There is much modern music that is better adapted to a wind combination than to a string, although for obvious reasons originally scored for an orchestra. If in such cases the interpretation is equal to the composition the balance of a wind combination is more satisfying.
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