My palette contains a warm and cool of each primary, plus four modifiers: Yellow Ochre, Burnt Sienna, Blue-Violet and Phthalo Yellow-Green just mix as I go for each painting.
You can eliminate color and still have a painting that works, but you must have drawing, value and design.
When I'm painting outdoors, I only have time to think about what I'm saying, not how I'm saying it.
In the landscape, colors are more neutral than you may think. Pay close attention to this. Small areas of rich color can make the whole painting look colorful.
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