Throughout my career, if I have done anything, I have paid attention to every note and every word I sing - if I respect the song. If I cannot project this to a listener, I fail.
You are the promised kiss of springtime that makes the lonely winter seem long. You are the breathless hush of evening that trembles on the brink of a lovely song.
Look down - look down that lonesome road Before you travel on
I love all those girls the same as they love me. I get thousands of letters a week from girls who love me.... Every time I sing a song, I make love to them. I'm a boudoir singer.
Only sing - don't do cheap songs, don't do silly songs, just do, just do wonderful songs that are well-written.
I get an audience personally involved in a song - because I'm involved myself. It's not something I do deliberately: I can't help myself. If the song is a lament at the loss of love, I get an ache in my gut. I feel the loss myself and I cry out the loneliness, the hurt and the pain that I feel.
The reading of the song is vital. The written word is first always . . . first. Not belittling the music, but it really is a backdrop. To convey the meaning of a song you need to look at the lyric and understand it.
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