Jerry Saltz Quotes About Writing

Quotes about: Writing

• The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the present. Yet artists, exhibitions, and curators valorize the sixties. People who wrote about these artists 30 years ago still write about them in the same ways, often for the same magazines.

  Jerry Saltz

  Writing, Artist, Years

• Being critical of art is a way of showing art respect. No sports writer would say, "Well the Yankees had a great season this year." No food critic would get a bad meal and say, "Oh, it was so lovely." It always strikes me as odd when people say, "Why do you write negatively about any art?" I think that everybody has mixed feelings about everything - even Goya. I mean, I look at Rembrandt sometimes and I hear a voice in my head go, "It's pretty brown."

  Jerry Saltz

  Sports, Art, Writing

  Source: www.interviewmagazine.com

• More and more in the art world are becoming moralistic, telling artists and critics what they should and shouldn't write, do, or make art about. Never mind the intellectual hypocrisy of this: Those who violate the clublike code are made out to be wrong, immoral, corrupt.

  Jerry Saltz

  Art, Writing, Hypocrisy

• Anybody who writes knows the horrible, wonderful, beautiful foulness that comes every week. A lot of moaning, screaming agony - "Oh my god, the deadline's coming."

  Jerry Saltz

  Beautiful, Writing, Wonderful

  Source: www.interviewmagazine.com

• I think that writing is a process that tells you what you think. You sometimes actually don't know what your opinion is until you hear yourself trying to piece it out and have it make sense to you. The process itself is so bizarre and mysterious that you never know what it's going to tell you.

  Jerry Saltz

  Writing, Thinking, Trying

  Source: www.interviewmagazine.com

• I don't want to hear at all what the artist thinks about his art. And I'm not writing for the artist. I'm writing for the reader, and I want to tell the reader what I think.

  Jerry Saltz

  Art, Writing, Artist

  Source: www.interviewmagazine.com

• In 1998, Artnet was the site that convinced me that if my writing didn't exist online, it didn't exist at all. It showed me criticism's future.

  Jerry Saltz

  Writing, Criticism, Online

• Any critic will tell you that there are a few dealers where you get a little bit scared to go into their gallery, and that's unfair to them, to yourself, to the reader, and to the artist. But I just want to look. When I'm done looking and writing, I love talking to art dealers. They are so alive and interesting and amazing - from Larry Gagosian all the way on down.

  Jerry Saltz

  Art, Writing, Interesting

  Source: www.interviewmagazine.com

• I wish I could write about shows outside New York. I often feel like the last person to know anything, because I almost never get to leave town, and when I do, I tend to go for three days max. Seeing between 30 and 40 shows a week in 100 or so galleries and museums takes up nearly all my time.

  Jerry Saltz

  New York, Writing, Museums

• Any negative review you write, they'll say, "Oh, you're being so mean." I think the problem with a lot of criticism is that too many critics either write just description or they write in a Mandarin jargon that only a handful of people can understand, or they write happy criticis - everything is good that they write about. I think that's really not good. I think it's damaged a lot of our critical voices.

  Jerry Saltz

  Writing, Mean, Thinking

  Source: www.interviewmagazine.com

• Not to say people shouldn't get rich from art. I adore the alchemy wherein artists who cast a complex spell make rich people give them their money. (Just writing it makes me cackle.) But too many artists have been making money without magic.

  Jerry Saltz

  Art, Writing, People

• The reason I love blogs so much right now is that I am seeing more critical voices appear, and that's kind of thrilling. I think a lot of critics in their forties or even their thirties have had their voice scared or trained out of them by the academy. I have nothing against the academy. I think it's brilliant and fantastic, but I also think that it's become almost monolithic. The same way a lot of art looks the same, a lot of writing can sound the same and quotes the same theorists.

  Jerry Saltz

  Art, Writing, Thinking

  Source: www.interviewmagazine.com

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