No one is banging my door down to be a superhero. I don't know how good I would be. I have low bone density, so I don't know if anyone really wants to put me in a cape and chuck me out a window. But a lot of my friends, who are great actors and who come from film, are doing TV because that's where the opportunities are. For us, it does feel like it's similar to making the movies that we used to make.
I feel like I had to learn how to take care of myself and find out what made me happy aside from just making films.
It's also a question of finding good material and interesting roles. I'm not the only actress out there, and good parts just don't fall into your lap that easily. But I like most of the films I've made recently and so I'm pretty positive about the future.
You try to get out there and live. I've always had good friends who've been very supportive and help make me feel good and grounded because I've never felt attached to the film industry.
There's a scene [in the 1990 film Welcome Home, Roxy Carmichael] in my bedroom where I start eating Almond Roca. I was so young. It was before I knew the tricks of moviemaking, and I didn't know you shoot a lot of different angles. I gobbled them and didn't realize I had to keep doing it. So I had to eat 64 Almond Roca that day. I got so sick. In the beginning you're like, 'Ooh, that looks good.' But hours later, no.
If a film is well made, then great, whatever it's about.
Focus should be on the art of film, not on the business of film.
I often get offered things that are so similar to things that I have done, and life is too short. When you make a film or a show, as you get older, that's a lot of time to be doing something that you're not absolutely invested in or in love with.
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