For a man who no longer has a homeland, writing becomes a place to live.
Suffering has as much right to be expressed as a martyr has to cry out. So it may have been false to say that writing poetry after Auschwitz is impossible.
Cultural criticism finds itself faced with the final stage of the dialectic of culture and barbarism. To write poetry after Auschwitz is barbaric. And this corrodes even the knowledge of why it has become impossible to write poetry today. Absolute reification, which presupposed intellectual progress as one of its elements, is now preparing to absorb the mind entirely. Critical intelligence cannot be equal to this challenge as long as it confines itself to self-satisfied contemplation.
Writing poetry after Auschwitz is barbaric.
In the end, the writer is not even allowed to live in his writing.
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