The closest thing we have to the traditional ideology of the leisure class is a group of artists and intellectuals who regard their work as play and their play as work.
In preindustrial cultures leisure is scarcely a burden or a "problem" because it is built into the ritual and ground plan of life for which people are conditioned in childhood; often they possess a relatively timeless attitude toward events.
Though top executives may work as hard as ever-in part perhaps because, being trained in an earlier day, they can hardly help doing so-their subordinates are somewhat less work-minded.
A spurious democracy has influenced both our research methods (I am sometimes tempted to define "validity" as part of the context of an experiment demanding so little in the way of esoteric gift that any number can play at it, provided they have taken a certain number of courses) and our research subjects (it would be deemed snobbish to investigate only the best people).
There has been a change in heroes within the working-class community
Mass entertainment in America has been dominated for a long time by the mode of documentary realism.
One of the things people are fleeing when they leave the city is the need either to reject people who are less well educated than themselves, or to accept them with all that implies for their children's education and future placement in the society.
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