The writing is the springboard for your intuitive stuff and then you see, maybe a colour of what you want to achieve. Then you bring in the technique you've learnt. But when you're on film, you're not always in control of that. That's what makes me believe in a kind of collective unconscious, a sort of experience you draw on.
I would rather do many small roles on TV, stage or film than one blockbuster that made me rich but had no acting.
My phrase has always been that I am looking for the versatility of theatre in film. I think I have been quite lucky in that so far.
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