Love, our subject: we've trained it like ivy to our walls.
The [Vietnam War Memorial] Wall became a magnet for citizens of every generation, class, race, and relationship to the war perhaps because it is the only great public monument that allows the anesthetized holes in the heart to fill with a truly national grief.
One line typed twenty years ago can be blazed on a wall in spraypaint to glorify art as detachment or torture of those we did not love but also did not want to kill.
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