I like doing the mainstream, right-down-the-pike broad comedies as much as I like doing the kind of unorthodox different stuff.
The problem with romantic comedies is you know the ending by the poster. So they're not movies you can keep doing over and over again expect satisfaction somehow.
When I do comedy, my brain sort of locks up in the infinite possibilities. That's where I get sort of lost. I think, "Oh, there are six other jokes that we could say here!" I feel more at home with drama.
The woman is skin covered prozac I like to call her. Half the trick to a film like this is keeping a sort of emotional level going and keeping an attitude that induces creativity on the set. You have to be in a good mood for that. You have to be happy to make a comedy I think and Anne sort of ensured that every time by expressing most of her feelings through the exciting medium of dance.
Well, I came down to LA initially to join The Groundlings, which is an improv comedy group. I didn't get in, of course, becaue I'm not a part of The Groundlings. I just assumed that I could walk in and take over. So they said: "Hit the road Jack." And I ended up getting an agent instead. They sent me out on a couple of leads and I ended up on a sitcom and Van Wilder thereafter and then pantsless with Sandra Bullock.
Entourage [movie] really is established as a genre unto itself, much like the thriller or the horror movie or the comedy. And those things trend.
I don't get a lot of romantic comedy scripts.
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