Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever had.
[After my mother died, I had a feeling that was] not unlike the homesickness that always filled me for the first few days when I went to stay at my grandparents'' house, and even, I was stunned to discover, during the first few months of my freshman year at college. It was not really the home my mother had made that I yearned for. But I was sick in my soul for that greater meaning of home that we understand most purely when we are children, when it is a metaphor for all possible feelings of security, of safety, of what is predictable, gentle, and good in life.
Get a life. A real life. Not a manic pursuit of the next promotion, the bigger paycheck, the larger house.
When men do the dishes, it's called helping. When women do the dishes, it is called life.
The truth is that when you're writing a novel you're really living in it; you're living in the house, and you're living in the town.
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