I had passed through the entire British education system studying literature, culminating in three years of reading English at Oxford, and they'd never told me about something as basic as the importance of point of view in fiction!
If I'm reading something I happen to know and gets it wrong, I just don't trust the book any more. What I ask of a novel I'm reading is that it should know a fraction more about the things I know than I do. When I'm writing...I ask myself: would I be convinced by this if I read it? If I knocked against this bit of scenery, would it feel solid?
You don't read it in the sense of reading a message; it doesn't work like that. What's happening is that the Shadows are responding to the attention you pay them.
Writing is tyranny ... but reading is democracy.
My mother married again after my father's death - another Royal Air Force officer, and a very different kind of man. We went to Australia when I was eight or nine. We lived there for a couple of years, and then came back and lived in North Wales for the whole of my teenage years... I learned how to write poems quite a lot. I just had a good time reading and reading and reading. So that's where I did most of my growing up.
I seemed to have spent the whole time either reading, which I loved, or laughing, which I love, or fooling about, which I loved. There was the usual teenage angst: "Nobody understands me" and "I'm the only genius in the world" and all that stuff. But that didn't get very deep.
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