There is no accident, just as there is no beginning and no end.
With experience it seems to be possible to control the flow of paint, to a great extent, and I don't use - I don't use the accident - 'cause I deny the accident... it's quite different from working, say, from a still life where you set up objects and work directly from them. I do have a general notion of what I'm about and what the results will be. I approach painting in the same sense as one approaches drawing, that is, it's direct.
When I am painting I have a general notion as to what I am about. I can control the flow of paint: there is no accident.
I can control the flow of paint: there is no accident.
I don't use the accident - 'cause I deny the accident
Technic is the result of a need new needs demand new technics total control denial of the accident States of order organic intensity energy and motion made visible memories arrested in space, human needs and motives acceptance
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