The power of language, it seems to me, is the only kind of power a writer is entitled to.
If we had to say what writing is, we would have to define it essentially as an act of courage.
One must avoid ambition in order to write. Otherwise something else is the goal: some kind of power beyond the power of language. And the power of language, it seems to me, is the only kind of power a writer is entitled to.
One reason writers write is out of revenge.
The art of fiction is freedom of will for your characters.
A writer is dreamed and transfigured into being by spells, wishes, goldfish, silhouettes of trees, boxes of fairy tales dropped in the mud, uncles' and cousins' books, tablets and capsules and powders...and then one day you find yourself leaning here, writing on that round glass table salvaged from the Park View Pharmacy--writing this, an impossibility, a summary of who you came to be where you are now, and where, God knows, is that?
I measure my life in sentences pressed out, line by line, like the lustrous ooze on the underside of the snail, the snail's secret open seam, its wound, leaking attar.
One reason writers write is out of revenge. Life hurts; certain ideas and experiences hurt; one wants to clarify, to set out illuminations, to replay the old bad scenes and get the Treppenworte said -- the words one didn't have the strength or ripeness to say when those words were necessary for one's dignity or survival.
No one can teach writing, but classes may stimulate the urge to write. If you are born a writer, you will inevitably and helplessly write. A born writer has self-knowledge. Read, read, read. And if you are a fiction writer, dont confine yourself to reading fiction. Every writer is first a wide reader.
If ideas are what feed serious literature and arresting language, who today is writing a novel of ideas (which can often mean comedy)? I think of Joshua Cohen. Who else?
Much of the academy on the humanities side, English departments in particular, no longer write what can pass for normal English.
I read in order to write. I read out of obsession with writing.
It's true that the young who now flock to script writing, or producing and directing, to fulfill the demands of these new devices would, in an earlier period, have been submitting to magazines and working on their first novels. But even in the midst of all these "digital products," the wonder of it is that there are still so many young writers who continue to believe in the venerable print novel as the corridor to fame and fortune.
Women who write with an overriding consciousness that they write as women are engaged not in aspiration toward writing, but chiefly in a politics of sex.
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