There's more to be learned here [St. Andrews] about course design than anywhere. Collection bunkers, false fronts, bump shots. The fundamentals of design became fundamental because of what's here. And it happened accidentally. Or maybe accidentally on purpose.
If you design something pretty with good golf shots in it, then I think that's the combination that creates a really nice golf course.
And, of course, I'm constantly energized by designing courses around the world.
I love design in general, the creativity. Whether it is golf courses, my apparel line, ads we do or our business with AriZona, design is fun.
Pete Dye introduced me to golf course design back in the 1960's. He came to my hometown Columbus, Ohio to work on The Golf Club.
A Nicklaus Design golf course is done by the guys in my company that I work with, that have been trained in my vision, and they do what they think I might do. They might come in the office and ask me questions and I'd certainly answer their questions, but I'm not involved in the site visits or anything else.
I've wanted to design golf courses ever since I was a kid. I suppose it comes from the way I've played the game. To find the proper way to play any hole, I've always begun by asking myself what the architect has tried to do with it.
If I had one golf course, from a design standpoint, one that I really love, it would probably be Pinehurst. There's a totally tree-lined golf course where trees are not a part of the strategy.
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