I see people who talk about America, and then undermine it by not paying attention to its soul, to its poetry. I see polarization, reductionism and superficiality.
This is a good time to ask apologists for the Islamic regime, who degrades Islam? Who imposes stoning, forced marriage of underage girls and flogging for not wearing the veil? Do such practices represent Iran's ancient history and culture, its ethnic and religious diversity? Its centuries of sensual and subversive poetry?
Thus the regime has deprived Iranian women not just of their present rights, but also of their history and their past.
When I was teaching at the University of Tehran we were struggling against the implementation of the revolution rules.
I believe that it is only through empathy, that the pain experienced by an Algerian woman, a North Korean dissident, a Rwandan child or an Iraqi prisoner, becomes real to me and not just passing news. And it is at times like this when I ask myself, am I prepared - like Huck Finn - to give up Sunday school heaven for the kind of hell that Huck chose?
We all had to pay, but not for the crimes we were accused of. There were other scores to settle.
There is little consolation in the fact that millions of people are unhappier than we are. Why should other people's misery make us happier or more content?
Khatami is a symptom and not the cause of change in Iran.
Reality has become so intolerable, she said, so bleak, that all I can paint now are the colors of my dreams.
If I turned towards books, it was because they were the only sanctuary I knew, one I needed in order to survive, to protect some aspect of myself that was now in constant retreat.
When I first left Iran at the age of 13, Iran had become such a shining star - it was the point to which all my desires and dreams returned.
those who judge must take all aspects of an individual's personality into account.
It takes courage to die for a cause, but also to live for one.
The reason I am so popular is that I give others back what they need to find in themselves. You need me not because I tell you what I want you to do but because I articulate and justify what you want to do.
A bad author can take the most moral issue and make you want to just never, ever think about that moral issue.
America was based on a poetic vision. What will happen when it loses its poetry?
With fear come the lies and the justifications that, no matter how convincing, lower our self-esteem.
I finally returned to Iran in 1979, when I got my degree in English and American literature, and stayed for 18 years in the Islamic republic.
I would like to say how much I resent people who say of the Islamic Republic that this is our culture - as if women like to be stoned to death, or as if they like to be married at the age of nine.
Art is as useful as bread.
Once evil is individualized, becoming part of everyday life, the way of resisting it also becomes individual. How does the soul survive? is the essential question. And the response is: through love and imagination.
My passion has always been books and literature, and teaching.
Art is no longer snobbish or cowardly. It teaches peasants to use tractors, gives lyrics to young soldiers, designs textiles for factory women's dresses, writes burlesque for factory theatres, does a hundred other useful tasks. Art is as usueful as bread.
In the past 30 years, officials of the Iranian regime and its apologists have labeled criticism, especially with regard to women's rights, as anti-Islamic and pro-Western, justifying its brutalities by ascribing them to Islam and Iran's culture.
We in ancient countries have our past- we obsess over the past. They, the Americans, have a dream: they feel nostalgia about the promise of the future.
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