Painting that does not radiate feeling is not worth looking at. The deepest-and rarest-of grown-up pleasures is true feeling.
The 'pure' red of which certain abstractionists speak does not exist. Any red is rooted in blood, glass, wine, hunters' caps and a thousand other concrete phenomena. Otherwise we would have no feeling toward red and its relations.
The problems of inventing a new language are staggering. But what else can one do if one needs to express one's feeling precisely?
It is the medium, or the specific configuration of the medium, that we call a work of art that brings feeling into being.
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