Star Wars is one of a handful of films that changed the zeitgeist forever.
There are so many other people involved in the making of a play or a television series or whatever... even if you're a novelist there's so much in just the marketing of a book, or even the time... the zeitgeist, the moment at which it comes out. There's a lot you can't control.
I think at one point, a whole new younger generation of critics come in and they're really aware of zeitgeist in their group, and the older artists tend to get forgotten as their critics retire and do other things or stop paying attention. So there's a factor of aging that I think is to be considered, too. As a middle-aged artist, you kind of get put on a shelf for the young ones.
There seems to be something in the zeitgeist, and maybe it's a function of - I'm no analyst, nor am I a psychologist - when you look at things and say, What if I could go back and change things? I think we live in a world right now where people are asking those questions a lot. What if we could go back and change what we did? How would we change the way we handled things in the Middle East, and how would we change things with the banking industry, and how would we change economic and educational issues?
I am a most unhappy man. I have unwittingly ruined my country. A great industrial nation is controlled by its system of credit. Our system of credit is concentrated. The growth of the nation, therefore, and all our activities are in the hands of a few men. We have come to be one of the worst ruled, one of the most completely controlled and dominated Governments in the civilized world - no longer a Government by free opinion, no longer a Government by conviction and the vote of the majority, but a Government by the opinion and duress of a small group of dominant men.
The world is like a ride in an amusement park. And when you choose to go on it you think it's real because that's how powerful our minds are. And the ride goes up and down and round and round. It has thrills and chills and it's very brightly coloured and it's very loud and it's fun, for a while. Some people have been on the ride for a long time and they begin to question: "Is this real, or is this just a ride?" And other people have remembered, and they come back to us, they say, "Hey, don't worry, don't be afraid, ever, because this is just a ride." And we kill those people.
[We are] no longer a government by free opinion, no longer a government by conviction and the vote of the majority, but a government by the opinion and the duress of small groups of dominant men.
In the last analysis, provincialism is your belief in yourself, in your neighborhood, in your reality. It is patriotism without belligerence. Convincing cases have been made to show that all great art is provincial in the sense of reflecting a place, a time, and a Zeitgeist.
I've never been in love with fashion, actually; trends and catwalks don't interest me. I love clothes; I love them historically and currently. They represent a spirit of the times and the zeitgeist.
Too many American (and other) Christians revel in feelings and/or morality and don't care to develop a biblically-shaped Zeitgeist or worldview. The result is folk religion rather than classical, historical Christianity which has always included sound theology.
It is that rare film [Moonlight] that comes along once in a while that catches the zeitgeist. This movie is that. I certainly have my fingers crossed that it is. Everyone needs to see this movie.
I think people's feeling the need to be more dependent on others is caused more by the lack of good-paying jobs and by today's zeitgeist that insists it takes a village. That's disempowering although possibly true for many people.
I do my very best to not allow external trends or zeitgeists to feed into what I'm producing.
The apparent pointlessness of fashion may be just what makes it so strong as a zeitgeist sensor. Even I, a designer, do not know why a certain proportion feels dated or why another one feels exciting at a given moment. I leave that to the cultural historians and theorists.
What I say today everybody will say tomorrow, though they will not remember who put it into their heads. Indeed they will be right for I never remember who puts things into my head : it is the Zeitgeist.
In the Germany of the l920s, the Weimar Republic, both organismic biology and Gestalt psychology were part of a larger intellectual trend that saw itself as a protest movement against the increasing fragmentation and alienation of human nature. The entire Weimar culture was characterized by an antimechanistic outlook, a "hunger for wholeness". Organismic biology, Gestalt psychology, ecology, and, later on, general systems theory all grew out of this holistic zeitgeist.
Personally, I don't think it's possible to do great things alone or through individual actions. On the contrary, I think it is only possible to know what to do in a specific moment once you have understood the zeitgeist, and it is only possible to move things forward if you have a sense of responsibility. And that is exactly the goal I have set for myself: to try to encourage France and the French people to change and develop further.
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