I think that marijuana should be legalized. I think the only reason it isn't legal is because politicians who smoked it when they were young men or young women just don't have the courage when they become politicians to legalize it.
There's one logical generational difference and that is that young women will have more chances to support a female president than older women. Older women feel it's their last chance, so that's just a factual, obvious difference. But other than that it depends on experience, on individual experience.
I worked with two young women translators. One died and the other received a death threat from the Taliban.
When I bought the [WNBA] team, I saw that no one really cared about them. Like the locker facilities that these young women have to work in-they weren't right. I want to give them the best locker room facilities and show them they're valued-because if you show them value, they're going to perform better. And this goes for all women, not just basketball players.
Ultimately, it's a really brave thing to do what makes you happy as opposed to what the norm, or the social norm is, and that's a very important thing for people to remember, especially young women.
I want to encourage more young women to get involved in coding, because it's important for them to be able to help shape the future, and coding is the future.
I remember realizing, when I did Little Women [1994], that that was the only time girls that age were being written about. It was always boys - from David Copperfield to Lord of the Flies to Holden Caulfield. There were never young women going through adolescence or teen years; there were only little girls.
What I would say to young women is: Pay attention to the real. Pay attention to what you're really thirsting for. What do you really want? And I think that's much harder to decipher in a culture that has no interest in it. What interests me is, are we going to wake in time? Are human beings going to wake up to ourselves, to the incredible poverty that's on this planet, to what we're doing to the earth, to what we're doing to women, to what we're doing to boys? That's what's important.
I think a lot of my girlfriends growing up gave themselves up to any boy who paid attention to them. I think young women now are a lot more particular. They pick and choose.
Sometimes you believe that you are targeting a 25-35-year-old young woman and you see that there is a crowd of 78-year-old people who are coming to buy some underwear, so it's not exactly the same kind of underwear that you have to sell.
It's really the story of a young woman, or two women, growing up in Naples in a poor neighborhood. The way that they get out of it - or don't get out of it - that's part of it. But it's also the story of the mid-20th century in Italy so it's really like a social, historical and personal novel. I think that even though I didn't live in Italy in those years, it did cover that same type of generational upbringing that someone like me might've had in America.
But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir, of course, was all about my past, and many of the short stories cleave very closely to my life, but the more stories I wrote in the collection, the more that seemed to be invented, but who knows... I think I'm writing about a young woman with acne who shoplifts, but I'm really writing about myself.
It's interesting to work with Emma [Watson] so quickly after Harry Potter. When we shot this movie, it wasn't that long after Harry Potter was finished, and it's knowing that's a big transition in her life. She's a very talented young woman.
I don't think Emma Watson needs any advice. She's an incredibly smart young woman who knows what she wants out of life and she has some great parents.
The genre [of hard-partying girls] seems to have gone out of style - instead of young women who drink too much, it's young women who don't eat enough.
Anything that increases the voice of young women tends therefore to reduce the fertility rate.
Someone said to me that we have to encourage more young women to want top-level editing jobs. I think that will happen naturally as we have more role models, more examples of boss ladies who aren't sad and cruel and overworked and undersexed like in DevilWearsPrada, but who are straight-up owning it and notable not for their gender but for their editorial savvy.
An interesting example is that the worst woman in the book, who is so cruel and violent, is the sorceress in "The Prince of the Black Islands." She's a beautiful young woman, and she has turned her husband into stone from the waist down. A traveling sultan finds him, in his dreadful state, and the man petrified from the waist down tells his sad story...how his wife comes every afternoon and beats him until the blood runs down. She's just unwontedly, arbitrarily cruel.
Even just pestering people with questions, and being nosey and pushy and getting her way, are things I think many young women grow up struggling with, to assert themselves.
I'm always writing to a younger version of myself, or a young woman who is like I was. I want that girl to know that I really existed and that it all went down that way.
The one glaring issue I have with the modeling industry and the fashion industry is that there is no union for young women and when I went into acting, the way young kids are protected, there must be a mandatory union or regulation, it just has to be done.
An Internet rumor claims that John Kerry had an affair with a young woman. When asked if this was similar to the Clinton-Lewinsky scandal, a spokesman said 'Close, but no cigar.'
I was lucky in that I had a mother that was full of this colloquial wisdom and she used to say to me 'You know, failure is not the opposite of success, it's the stepping stone to success. There is nobody who has not failed along the way.' So I think its very important for young women, especially as they are starting in life, to recognize that because otherwise, they only see people's success. So, when I speak, I speak of my failures.
In times of change and uncertainty, we need the spirit of jazz more than ever before, to bring people - especially young women and men - together, to nurture freedom and dialogue, to create new bridges of respect and understanding, for greater tolerance and cooperation.
As an actor, and especially as a young woman, there's so much pressure to look good all the time and it really detracts from what our job really is about, which is portraying a different person.
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