I told the students [at Yale] we were going to talk about love - I meant love in the sense of devotions to one's work - and about half the students got really pissed off.
Yale's greatness carries an urgent need to guard against the fall of excellence into exclusivity, of refinement into preciousness, of elegance into class and convention.
I auditioned for 'Girls' the fall after I graduated from Yale. The show has been amazing - as close to perfect as it gets!
I was probably the first kid in my high school to go to Yale. I applied almost as a lark. Then, when I got there, I was the dumbest person in your class.
I was a garbage man in New Jersey in summers during college at Yale. Everybody else got to go to Switzerland and I got to go to the dump.
I used to teach at Yale, which was at one time a center of postmodernist literary theory. Derrida was there. Paul de Man was there.
I enjoyed reading and learning at school, and at university I enjoyed extending my reading and learning. Once I left Cambridge, I went to Yale as a fellow. I spent two years there. After that, George Gale made me literary editor of 'The Spectator.
I went to an all-girls pre school where everyone went off to Harvard or Yale, and I had zero interest in doing so. I think they thought I was on drugs. There was a neighboring all-boys school, so we'd get together and do dumb things. It was your typical Catholic-American upbringing.
George Bush is by American standards rabidly Upper Class - Eastern, Socially Attractive, WASP, 19th-century money, several generations of Andover and Yale (and, while we're at it, his father, George H. W. 'Poppy' Bush, was a former president and his grandfather was the Nazis' U.S. banker in the 1930s).
I asked my parents for permission to study in America and they were so sure that I wouldn't get in and get a scholarship that they encouraged me to try. So I applied to Yale and got an excellent scholarship. I then worked for the Boston Consulting Group for six and half years.
You know, actually, I went to Yale because I wanted to stay out of the army.
In the Studio Museum in Harlem, when I was dealing with that community and dealing with my peers in the streets, it allowed for me to get outside of Yale, to get outside of art-speak, and to really think about art as a material practice that has very useful and pragmatic material precedent.
I began working within the streets of Harlem, where, after graduating from Yale [University, New Haven, CT], I became the artist in residence at the Studio Museum in Harlem [New York, NY]. I wanted to know what that was about. I would actually pull people from off of the streets and ask them to come to my studio.
Children are amazing, and while I go to places like Princeton and Harvard and Yale, and of course I teach at Columbia, NYU, and that's nice and I love students, but the most fun of all are the real little ones, the young ones.
He's wearing his official university sweatshirt again, which puzzles me a little. I mean I'd sort of understand it more if it said Yale or Harvard or something, because then it would be a fashion choice. But why advertise the fact that you're at a university to all the other people who are at the university with you?
The work that I wanted to create wasn't being done then. I was too much concerned about fellow students, professors, institutional style [in Yale].
Liberals roll their eyes about going on "Oprah" to reach a mass audience by using language that anyone can understand even if you majored in semiotics at Yale. We look down on people we don't agree with. It doesn't serve us well.
Mel [ Bochner] held large-form meetings with students. But the stronger points came through when we had the one-on-one critiques. And that's the system that works at Yale. There's the group critiques, and then there's the one-on-one critiques that happen in studio.
I was so unhappy as a child in Washington I figured if I'm going to Yale, I am going to start a new life. I'll change my name to my middle name. So I was known for my four years at Yale as David Kramer.
When I graduated [from Yale], I went back to Larry [Kramer]. But when I go to Yale reunions, there are still people who call me David.
Maybe that is the best lesson I learned in my first semester at Yale, because if I had gone to a less-demanding school and continued to sail along on the top, I am sure I would never have attained the subsequent achievements in my life.
One of the few nice things about [time in Yale] was you got to know people before there were labels on them, so you got to know them as people, not as either gay or straight. Because as far as we knew, we thought everyone was straight.
Those people are seen, I assume, by Larry [Kramer] as writing partly about gay issues and problems, whether it's on the surface or not, and I am not. But another thing is when we met, there still wasn't exactly a gay/straight divide in the minds of a lot of straight people. There weren't any gay people, as far as we knew, at Yale.
If someone had come up to me at Yale and asked me how many homosexuals there were in my class, I would have said I don't think there are any. There may have been a few who were shy with girls. You have to understand, this was the 1950s.
Larry [Kramer] and I often disagree. There was the whole meshuggaas we went through about his donating his papers to Yale, and I disagreed with him on a number of things about that. You wanted a gay center.
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