I believe I've passed the age of consciousness and righteous rage. I've found that just surviving is a noble fight. I once believed in causes too; I had my pointless points of view. And life went on no matter who as wrong or right.
The first theme that every audience can get easily everywhere in the world is the theme of judgment. You are constantly judging if this character is doing something wrong or right, or the other character is doing something right or wrong.
Instead of making others right or wrong, or bottling up right and wrong in ourselves, there's a middle way, a very powerful middle way...... Could we have no agenda when we walk into a room with another person, not know what to say, not make that person wrong or right? Could we see, hear, feel other people as they really are? It is powerful to practice this way..... true communication can happen only in that open space.
When you're dealing with subjective matters, there's no wrong or right answer, it's just, "What do we think is best for the show?"
learning is never wrong. Even learning how to kill isn't wrong. Or right. It's just a thing to learn, a thing I can teach you. That's all.
Being on stage, it's like, "Ooo-kay, now I remember why all this is going wrong or right!" It's very much my element.
Under Syrian law, a journalist is not allowed to report on military matters. This may be wrong or right, but that's just the way it is.
Ignorance, vulnerability, fear, anger, and desire are expressions of the infinite potential of your buddha nature. There's nothing inherently wrong or right with making such choices. The fruit of Buddhist practice is simply the recognition that these and other mental afflictions are nothing more or less than choices available to us because our real nature is infinite in scope.
We've learned from experience that the truth will out. Other experimenters will repeat your experiment and find out whether you were wrong or right. Nature's phenomena will agree or they'll disagree with your theory. And, although you may gain some temporary fame and excitement, you will not gain a good reputation as a scientist if you haven't tried to be very careful in this kind of work. And it's this type of integrity, this kind of care not to fool yourself, that is missing to a large extent in much of the research in Cargo Cult Science.
Your ego is an avid interpreter. It is so quick to interpret events as 'bad' or 'good,' 'wrong' or 'right.' It never fails to see 'the little picture.
Because things like this you can only ssay once. And you either get it wrong or right, it's the end either way, because it's too hard to ever try to say again.
I'm not thuggin' for me, I'm thuggin' for my family, I pay all the bills, I feed my whole family, wrong or right, I do and I can't stop.
[S]ince there is no wrong or right, you just reap what you sow.
I once believed in causes, too. Had my pointless point of view. Life went on no matter who was wrong or right.
Ain't it funny how a moment could just change your life, and you don't want to face what's wrong or right. Ain't it strange how fate can play a part, in the story of your heart.
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