You learn by writing short stories. Keep writing short stories. The money's in novels, but writing short stories keeps your writing lean and pointed.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness.
Not that the story need be long, but it will take a long while to make it short.
To produce a mighty book, you must choose a mighty theme.
And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.
There is nothing to writing. All you do is sit down at a typewriter and bleed.
You can't wait for inspiration. You have to go after it with a club.
We write to taste life twice, in the moment, and in retrospection.
Substitute "damn" every time you're inclined to write "very"; your editor will delete it and the writing will be just as it should be.
Writing is turning one's worst moments into money.
Science fiction writers, I am sorry to say, really do not know anything.
No tears in the writer, no tears in the reader.
The worst enemy to creativity is self-doubt.
If there's a book you really want to read, but it hasn't been written yet, then you must write it.
Writing a book is a horrible, exhausting struggle, like a long bout with some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand.
I'm used to writing short stories, which is primarily what I like to read.
I stopped writing short fiction early on - I was never really good at it, and I never liked the results. So I stopped trying to fit the material I was working with into these tidy little short fiction packages.
When I started writing short stories, I thought I was writing a novel. I had like 60 or 70 pages. And what I realized was that I don't write inner monologue. I don't want to talk about what somebody is thinking or feeling. I wanted to try to show it in an interesting way. And so what I realized was that I was really writing a screenplay.
As to my writing short pieces, there are two reasons I can give you. The first is my invincible laziness. The second is that I've always been fond of short stories, and it always took me some trouble to get through a novel.
Don't wait for success, but for the respect and interest of those who read you. At the start it could be a classmate, someone who shares your interests. Before sending off the manuscript for a novel to a publishing house, it would be a good idea to try writing short stories, and publishing them in a local magazine.
I think I'm someone who can prattle on a long time about something, which serves me well as a novelist, but it's the enemy when I'm writing short stories.
I love short stories. They're like small imploding universes. They are very tightly bound and controlled. I'd been wanting to write one for ages but just got tangled up in novels. The novel is the same in the sense that it is also a universe, but it explodes outwards with all that shrapnel going in several different directions. I don't see too much difference in the forms except for the fact that writing short stories is like sprinting rather than long-distance running.
I don't revise a lot when writing short stories. As far as the novel, I definitely thought more about plot. Honestly, I'm still pretty confused about what "plot" means. I've been reading some of my Goodreads reviews and one reader noted that the The Last Days of California "reads like a short story stretched to the breaking point, padded and brought into novel range..." I don't know what people want, really.
I've been writing short stories for twenty years now, on and off ever since I was in the creative writing program at San Francisco State University.
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